Further off the straight and narrow : new gay visibility on television, 1998-2006
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
eVideo
Status
Description
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More Details
Language
English
Notes
Creation/Production Credits
Narrator: Renai Ellison ; interviewees: Howard Buford, Joshua Gamson, Larry Gross, Lisa Henderson, Katherine Sender, Suzanna Danuta Walters.
Date/Time and Place of Event
Originally produced by Media Education Foundation in 2006.
Description
Picking up where the critically acclaimed Off the Straight & Narrow (1998) left off, this film examines the increasing presence of GLBT characters on sitcoms, reality shows, and premium cable programming. It takes account of the emerging variety and complexity of GLBT representations, while exploring how these representations continue to be shaped by the demands of the commercial media system. The film asks whether we are witnessing a dramatic and progressive opening of the culture, or simply a cautious recognition by advertisers of the buying power of GLBT consumers.
Target Audience
Higher education.
System Details
Mode of access: World Wide Web.
Also in this Series
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Staff View
Grouped Work ID
d755e5c3-c386-9a9c-2375-81601058c914-eng
Grouping Information
| Grouped Work ID | d755e5c3-c386-9a9c-2375-81601058c914-eng |
|---|---|
| Full title | further off the straight and narrow new gay visibility on television 1998 2006 |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2025-01-03 17:31:46PM |
| Last Indexed | 2025-03-15 04:51:25AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Apr 16, 2024 |
| Last Used | Jan 23, 2025 |
Marc Record
| First Detected | Aug 05, 2024 09:39:44 AM |
|---|---|
| Last File Modification Time | Nov 07, 2024 11:02:28 AM |
MARC Record
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| 520 | |a Picking up where the critically acclaimed Off the Straight & Narrow (1998) left off, this film examines the increasing presence of GLBT characters on sitcoms, reality shows, and premium cable programming. It takes account of the emerging variety and complexity of GLBT representations, while exploring how these representations continue to be shaped by the demands of the commercial media system. The film asks whether we are witnessing a dramatic and progressive opening of the culture, or simply a cautious recognition by advertisers of the buying power of GLBT consumers. | ||
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