The anthology includes Love Alone: 18 Elegies for Rog, in which the poet describes looking after a friend ill with aids: "I go / around the house with a rag of ammonia / wiping, wiping crazed as a housewife on Let's / Make a Deal, the deal being PLEASE DON'T MAKE / HIM SICK AGAIN." By the author of The Carpenter at the Asylum.

"Beyond Proust's madeleine we head toward a "deli" version of utopia, crafted from hamantaschen, cupcake, and cucumber. Interludes in Rome, Paris, and Cologne permit spells of fevered play with Italian, French, and German. Painting and its processes bring bright colors to the surface, as if the poet were trying to figure out anew the nature of blue, pink, orange. Ultramarine reaches across memory, back to Europe, beyond the literal world into dream-habitats...

"Edgar wants nothing more than to live his life out loud. But telling the truth about his sexuality isn’t so easy in his traditional Mexican-American family, and his Amá has made it clear she won’t accept who he is. Things get even harder when Edgar’s macho father returns home after months away, and the house erupts into fighting and simmering tension. Edgar worries what would happen if he told his father the truth about who...

Finalist for the National Book Award for Poetry Winner of the Forward Prize for Best Collection Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved...

Billy-Ray Belcourt's debut poetry collection, This Wound Is a World, is "a prayer against breaking," writes trans Anishinaabe and Métis poet Gwen Benaway. "By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we've been waiting for."

Part manifesto, part memoir, This Wound Is a World is an invitation to "cut

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"In his second book of poetry, Richard Blanco explores the universal desire for home through evocative narratives, playful musings, and lyrical power. These poems take us on a relentless journey to Spain, Italy, France, Guatemala, Brazil, Cuba, and New England, as they examine the ideal of home and the connections we seek through place, culture, family, love, and art."--BOOK JACKET.

"Things We Lost In The Swamp is a lush and vibrant collection of poems that examines the many facets of green: nature, inexperience, jealousy, burgeoning love, and discovering sexuality as a gay man. It is a slow unfurling. It is a love letter to growth, to rediscovery, to finally learning how to unabashedly speak one's truest voice. These poems will make you laugh, will make you cry. They will envelop you--take you through your darkest forest, then...